Happy together 19976/4/2023 Equally as important, the film also launched the dramatic career of A-list style icon Maggie Cheung’s. The universe tempts him with this better life, dangling it only a train ride away, but his conceited brother (Jackie Cheung) keeps pulling him back to the underworld.Īs Tears Go By announced Wong’s wholly unique voice: blending Hong Kong’s trademark ’80s action cinema with the director’s specific brand of unrequited romance. Wah smokes out of habit, but it reminds us of his unforgiving life of crime as a triad in the city: something this budding relationship has helped him escape, albeit temporarily. In this first scene, Ngor (Maggie Cheung) and her cousin Wah (Andy Lau) bask in the afterglow of their dramatic phone booth smoochathon, playing coy with one another. Capturing the essence of ’90s Hong Kong with his untouchable run from the late ’80s to the early aughts, Wong’s cigarettes are more than just tobacco and nicotine: they’re part of what immortalized the fashion, music, lights, colors, places, and people in these films forever. They sometimes anchor themselves within those chaotic dilemmas by smoking cigarettes, treating them as a type of life raft one which those who float adrift can return to. Usually drifting between odd jobs and casual sex, his characters are troubled by commitment and notions of purpose. One of the ways this is consistently accomplished is by way of the seemingly inescapable smoke clouds that roll around with his roster of lovelorn loners. From directing without a full-fledged script, to his ethereal step-printing technique - and even those suave sunglasses of his - Wong’s ability to inject style is something which cannot be taught. Setting the screen ablaze since his debut in the late ’80s, Wong’s keen sense for how love and time intertwine to form life articulates itself through a bountiful toolbox of stylistic flair. The concept of it seems to cease existing entirely within the incendiary films of Hong Kong auteur Wong Kar-wai, only returning to help love pass us by. Minute hands spin endlessly as audiences plunge through layers of vivid dreamscapes that don’t abide by the normal laws of time.
0 Comments
Leave a Reply. |